Category Archives: Language of ornament
Leighton House Museum, Sir Richard Burton, Syrian Ceramics, the Syrian Revolution and I
I woke up this morning missing my life as a potter, missing the clay, missing its feel and textures for there is a difference to the touch between porcelain and stoneware and between earthenware and stoneware, clays out of which … Continue reading
Posted in Alisar Iram's art, Alisar Iram: articles and notes, Arab Islamic art, Damascus, Iznik Tiles, Language of ornament, Leighton House Mureum, Leighton House Museum, Lord Frederick Leighton, Mamluk and Ottoman Syrian tiles, Pottery, Richard Francis Burton, Syrian ceramics, Syrian tiles, Victorian art, William De Morgan
Tagged Alisar Iram's art, Alisar Iram's articles, Alisar Iram: ceramics, Damascus, Damascus ceramics, Damascus ceramics in the 15 and the 16th centuries, Geometric and floral, Histoty of art, Iznik tiles, Language of ornament, Leighton House Museum, Lord Frederick Leighton, Mamluk and Ottoman ceramic tiles, Mamluk and Ottoman Damascus tiles, pottery, Richard Francis Burton, Syria, The Arab Hall, The Arabian Nights, The art of the potter, Victorian Art, William De Morgan
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